Me'Ever Laharim Vehagvaot ( מעבר להרים ולגבעות ) Beyond the Mountains and Hills Release Year 2016 (Premiered May 15 at Cannes) Director / Writer Eran Kolirin (Director of The Band's Visit ) Genre Psychological Drama / Political Allegory Runtime 90 minutes Key Accolades Nominated for 5 Ophir Awards (including Best Film) The Complex Plot: A Family Operating in Isolation

The family’s underlying tension boils over when David, overwhelmed by commercial failure and a mid-life identity crisis, impulsively unloads his military-issued firearm into the dark hills surrounding his suburban home. The next morning, news breaks that a local Palestinian man was found dead from a gunshot wound in those exact hills, triggering a domino effect of guilt, denial, and ethical confrontation within the household. Digital Footprint: The "OK.ru" Phenomenon

Director Eran Kolirin explicitly noted that the film is about "good people living in a bad reality." The characters survive by walking on thin air, entirely dependent on the power of choosing not to look at the consequences of their actions. David's accidental shooting serves as a stark metaphor for how everyday citizens can blindly impact the lives of neighbors "beyond the hills" without looking them in the eye. 2. The Decompression of Military Life

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מעבר להרים ולגבעות – ארכיון הסרטים הישראלי – סינמטק ירושלים

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Critics note the film's ambitious attempt to serve as a critique of contemporary Israeli society's "new competition culture," questioning the values of the "start-up nation". Some reviews have called it "an alternately profound and problematic film" that forces audiences to question their own complicity. The described it as "ambitious and highly symbolic" but ultimately a "disappointment," while others praised its intimate look at a family's repressed anguish.

Alon Pdut, Shiree Nadav-Naor, Mili Eshet, and Noam Imber.

The Jerusalem Post delivered a harsher verdict, calling the film a . The review argued that the characters feel more like ideological symbols than a real family, with the film's overdetermined plot preventing audiences from forming a genuine emotional connection .